Avid 6 Core Training
Avid is the digital non-linear editing software editors and content producers rely on to cut feature films, episodic television, news, commericals, documentaries and more. With its robust editing and trimming tools, rock-solid media management and it's flexible sharing features, Avid has built a solid reputation among studios, post houses, television stations and news agencies around the world.
With a running time of 8.5 hours, our goal is give you the complete picture of the Avid editing process from initial import to final output. To view the entire 76 lesson Table of Contents click here
This tutorial covers Avid Media Composer 6, Avid Symphony 6 and Avid NewsCutter 10.
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The iPad is revolutionizing the way people access and interact with media. Video training is therefore a natural fit for people who want their training on the go or on a separate device from their main system. Because of the limited storage capacities of the iPad, we have labored to keep the movie sizes as small as possible while maintaining our high standards of image and sound quality. And perhaps best of all, you don't need to be connected to the internet to watch our tutorials on your iPad.

How Does it Work?
We realize you may have a question or two, so we created a short FAQ (Frequently Asked Questions) page to answer them.
Who is this Tutorial For?
Editors, producers and digital content creators; anyone who wants a deeper understanding of how professional editing is approached using Avid Media Composer 6, Avid Symphony 6 and Newscutter 6.
Table of Contents
Overview of Avid System Components
- Installing Avid Software
- Basic Hardware Components for PC and Mac
- Types of Source Media Avid Can Ingest
- Types of I/O Hardware
- Types of Storage Devices
- Types of Control Surfaces
Starting A New Project
- Launching the Avid Software
- Creating A User Profile
- Creating a New Project
- Comparing Avid Project Locations
- Choosing Project Settings
Intro To The Avid Interface
- Choosing A Workspace
- Exploring the Avid Interface
- Opening Bins
- Switching Users
- Changing Project Format Settings
Creating a Project
- Choosing What to Capture from Tape
- Identifying your Video Standard
- Launching Avid Software
- Choosing the Project Format
- Choosing Raster Dimension Type
- Matching Raster Dimension to Source Formats
Dialing In Media Creation Settings
- Drive Filtering and Indexing Tab
- Capture Settings Tab
- Choosing Apply To All for Other Tabs
- Media Creation as a Project Setting
Configuring Hardware Settings
- Choosing Audio Project Settings
- Main Tab
- Hardware Settings
- Configuring Deck Preferences
- Enabling Active Settings in Fast (Hamburger) Menu
- Adding a Channel (Configuring I/O Protocols)
- Autoconfiguring the Channel
- Saving a Deck Configuration
Exploring the Capture Tool
- Opening The Capture Tool
- Mac vs. PC Shortcuts
- Exploring Panes in the Capture Tool
- Deck Control
- Target Bin, Resolution and Drives Pane
- Name and Comments Pane
- Patch Panel Pane
- Capture Tool Palette
- Inserting a Tape
- Assigning a Tape Name
Capturing Clips
- Using The Shuttle Controls
- Choosing Tracks To Capture
- Understanding Timecode
- Marking Clips
- Adding Names and Comments to Clips
- Initiating a Clip Capture
- Reviewing the Capture Process
Other Capture Techniques
- Capturing Clips On-The-Fly
- Logging clips for Batch Capture
- Batch Capturing Clips
Setting Up A Project For Importing
- Understanding Acquisition vs. Editing Formats
- Advantages of File Import vs. AMA
- Creating A New Project
- Choosing Audio Project Settings
Importing Audio Files
- Importing Audio Files
- Importing Mono Files
- Renaming Bins
- Creating new Bins
- Importing Stereo Files (Discrete Channels)
- Importing Stereo Files as A Stereo Group
- Applying Attenuation/Gain on Import
- Importing Mixes and Stems
- Importing A Surround Mix
- Comparing Mono And Stereo Audio Files
- Displaying Source Audio in The Timeline
Importing Video and Graphics files
- Importing Motion Graphics
- Choosing Image Size Adjustment Settings
- Choosing Alpha Channel Settings
- Choosing File Pixel to Video Mapping Settings
- Understanding How Avid Converts Alpha Channels
- Importing QuickTime Files
- Preserving or Changing Resolution on Import
- Importing Still Graphics
- Choosing How To Import Multi-layer Photoshop Files
- What if You Choose The Wrong Settings?
Linking to an AMA Volume
- Types of AMA Plugins
- Downloading and Installing AMA Plugins
- Using Console To List Installed AMA Plugins
- Linking to An AMA Volume
- Choices in the AMA Bin Selection Dialog
- Identifying AMA Clips by Icon
- Avid's Recommended AMA Workflow
- Choosing AMA Settings
- Choosing AMA Volume Mounting Options
- Creating A Selects or Dailies Sequence
- Reviewing the Link to AMA Volume Workflow
Reccommended AMA Workflows
- Linking to AMA Files
- Using Clip Color To Identify AMA Clips in Timeline
- Adding Clip Color Labels In Bins
- Transcoding AMA Clips
- Consolidating or Transcoding A Sequence
Creating Bins to Organize Projects
- Closing and Opening Avid Projects
- Using Bins to view source footage
- Sorting Clips
- Creating New Bins
Managing Multiple Bins
- Docking Bin Tabs in One Window
- Opening Bins from Other projects
- Using The Open Bin Command
- Best Practices for Sharing Bins
Working In Bins
- Saving All Bins vs. Save Bin
- Other Bin Views
- Using Frame View
- Using Script View
- Sorting Clips
- Sifting Clips
Organizing Projects Using Bins and Folders
- Copying Clips to Other Bins
- Moving Clips vs. Copying (Cloning)
- Cloning vs. Duplicating Clips
- Using Folders
- Deleting Bins
Viewing Source Footage
- Playing Clips in the Source Monitor
- Controlling Playback Using Interface Buttons
- Controlling Playback Using J-K-L Keys
Marking Source Clips
- Marking A Clip
- Reviewing An Edit Selection
Building A Sequence
- Creating and Building a New Sequence
- Using Frame View to Compare Clips in a Bin
- Comparing Shot Composition
- Performing a Splice-In Edit
- Using Undo and Redo
- Performing an Overwrite Edit
- Using Keyboard Shortcuts for Editing Operations
- Using Loop Selected Clips to Compare Clips
- Lesson 5 Exercise
Multitrack Editing
- Multitrack Editing
- Adding Tracks
- Targeting and Deleting Tracks
- Patching Tracks
3-Point Editing
- Monitoring Video and Audio on Different Tracks
Drag and Drop Editing
- Choosing Segment Mode before Drag and Drop Edits
Creating Subclips & Storyboard Editing
- Performing A Storyboard Edit
Controlling The Timeline Scale
- Scaling Options in the Timeline Fast Menu
- Using More and Less Detail
- Using Focus
- Using Zoom In and Zoom Back
- Using The Scale Bar
Track Control
- Adjusting Track Height Using The Mouse
- Changing Audio Waveform Height
- Displaying the Track Control Panel
- Saving A Timeline View
- Toggling Timeline Views
Removing Material from A Sequence
- Removing Material Between In and Out Points
- Comparing Lift vs. Extract
- Removing Only a Few Tracks of a Clip
- Using Sync Lock to Maintain A/V Sync
Using Extract/Splice-In Segment Mode
- Drag and Drop Editing Using Segment Mode
- Closing Track Gaps By Extracting With Sync Lock Off
- Using Add Edit to Maintain Track Sync
- Lassoing to Select Multiple Segments
- Review of Extract/Splice-In Segment Mode
Using Lift/Overwrite Segment Mode
- Using Add Edit to Create Clip Segments
- Selecting and Lifting Multiple Segments
- Repositioning Clips Using Lift/Overwrite Segment Mode
- Using Snapping Indication to Snap to Head or Tail
- Using the Four Frame Display To Position Clips
- Review of Lift/Overwrite Segment Mode
Mapping Functions to your Keyboard and Interface
- Opening the Command Palette
- Opening the Keyboard Setting
- Mapping Functions to the Keyboard
- Mapping Buttons to the Interface
Navigating with Fast Forward and Rewind
- Using Home and End to Jump to Head or Tail of Sequence
- Using Fast Forward And Rewind Shortcuts
- Targeting Fast Forward and Rewind with Track Selectors
- Using "Command =" To Open Active Window Settings
- Modifying Fast Forward and Rewind In Composer Settings
- Using Option to Ignore Track Selectors
Extracting Top and Tail
- Extracting Between In and Out
- Extracting Using Segment Mode
- Extracting Using the Tail Function
- Extracting Using the Top Function
Using the Smart Tool in Segment Mode
- Enabling the Smart Tool
- Disabling the Smart Tool (Traditional Avid Mode)
- Extending Edits
- Using Match Frame to View Unused Media
- Using Extend Edit
Using Match Frame, Find Bin and Replace Edit
- Replacing a Shot With 3-Point Editing
- Finding a Better Take Using Bin Columns
- Using the Replace Edit
- Replacing only Some Tracks of a Clip
- Using Reverse Match Frame
- Using Add Edit to Replace Only Certain Tracks of a Clip
Defining Trim Mode and Tools
- Defining Trim Mode and Tools
- Performing Single Roller Trims
- Performing Two Roller Trims
Setting Trim Preferences
- Opening Trim Preferences
- Setting Play Loop Preferences
- Setting Dual Image Play Preferences
Trimming Clips With The Smart Tool
- Enabling the Smart Tool
- Choosing Overwrite Trim vs. Ripple Trim
- Choosing Dual Roller Trim
- Using Trim Counters
- Reviewing The Edit Using The Play Loop
- Using Trim Left and Right
- Using The Overwrite Trim Tool
- Turning Off Linked Selection to Trim Discrete Tracks
- Trimming with the Ripple Trim Tool
Maintaining Sync without Sync Lock
- Disabling Sync Lock for All Tracks
- Maintaining Sync by Selecting All Tracks
- Comparing Symetrical vs. Asymetrical Trims
- How Sync Lock Maintains Sync
- Using Shortcuts to Choose Discrete Trim Tools Instead of the Smart Tool
Using Trim Mode
- Entering Trim Mode
- Trimming A and B sides in Trim Mode
Trimming On-The-Fly
- Advantages of Trimming On-The Fly
Slipping and Sliding In Trim Mode
- Selecting A Clip for A Slide Trim
- Limitation With Trimming On-The-Fly
- Lassoing to Select A Clip for Slide Trim
- Using Slide Keyboard Shortcuts
- Slipping Edits
- Comparing Slip Trim to Replace Edit
- Selecting A Clip for A Slip Trim
- Defining the Slip Trim
- Trimming - Final Review
Organizing Audio Tracks
- Categorizing Audio Tracks
- Adding New Tracks
- Setting Default Timeline Settings
Arranging Audio Clips onto Discrete Tracks
- Deleting Unwanted Audio Segments
- Reducing SOT to Single Mono Tracks
Editing Audio
- Improving Audio Transitions in Trim Mode
- Stealing Audio From Other Sequence Clips
Creating A Sound Design
- Creating and Using Ambient Tone
- Using Copy and Paste In Segment Mode
- Adding Sound Effects
- Adding Music
Exploring the Basic Audio Tools
- Using the Audio Mixer
- Using the Audio Tool
Adjusting Clip Gain with the Audio Mixer
- Enabling Audio Displays In The Track Control Panel
- Monitoring Levels with the Audio Tool
- Adjusting Gain With The Audio Mixer
Adjusting Gain on Other Tracks
- Mixing Tracks In the Correct Order
- Adjusting Gain for Multiple Clips At Once
- Isolating Clip Segments for Audio Adjustment
Creating Audio Transitions
- Using Quick Transition
- Improving Transitions With The Smart Tool
- Using the Transition Manipulation Tool
Using Volume and Pan Automation
- Adding Volume Automation
- Adding Pan Automation
- Using Volume and Pan Automation Mode
Using the EQ Tool
Applying Audio Plugins
- Using Audio Suite Plugins
- Using RTAS Plugins
Adding Quick Transitions
Adding Effects from the Effect Palette
- Exploring The Effects Palette
- Adding Transitions and Segment Effects to Clips
- Removing Effects
Adjusting Effects
- Entering Effect Mode
- Adjusting Effect Parameters in Effect Mode
- Creating Animations Using Keyframes
- Saving and Using Effect Templates
Creating Simple Speed Effects
- Creating a Freeze Frame
- Copying and Pasting Keyframe Values
- Creating Speed Effects with Fit To Fill
Creating Timewarp Effects
- Applying The Timewarp Effect
- Exploring Other Timewarp Effects
- Basic Effect Rendering
Defining Vertical Effects
- Comparing Types of Composite Effects
- Defining Alpha Channels
- Controlling Track Monitoring
- Rendering All Composite Layers
Building A Composite
- Using Markers To Spot and Add Clips
Adjusting Effect Parameters
- Adjusting 3D Warp Parameters
- Copying and Pasting Keyframes
Animating Standard Keyframe Effects
- Creating a Freeze Frame for a Background Layer
- Creating a Blur Effect
Animating Advanced Keyframe Effects
- Understanding Advanced Keyframe Graphs
- Advanced Keyframe Options
Using Advanced Keyframe Modes
- Adding Keyframes to All Parameters
- Other Add Keyframe Modes
- Removing Redundant Keyframes
- Advanced Keyframes for Experienced Avid Editors
- Using Expert Render
Creating Titles
- Exploring the Title Tool
- Creating Text
- Lesson 14 Exercise
- Formatting Text
Positioning Text and Graphics
- Defining Title And Picture Safe Areas
- Using The Alignment Grid
- Other Alignment Options
Using Graphic Objects
- Creating Basic Shapes
- Adjusting Object Properties and Layer Order
- Saving Titles
Adding and Modifying Titles in A Sequence
- Cutting Titles Into the Sequence
- Modifying Titles
Preparing a Sequence for Output
- Adding Final Audio and VFX Elements
- Creating Bars and Tone
- Conforming Sequence To Industry Standards
- Rendering and Mixdowns
Outputting to Tape
- Setting Output Preferences
- Using the Digital Cut Tool
- Crash Recording (On-The-Fly)
Exporting for Digital Delivery
- Exporting Same As Source
- Exporting QuickTime
Exporting for External Applications
- Exporting EDLs
- Exporting for ProTools
- Send To Options
Customizing The Interface
- Customizing Fonts and Sizes
- Customizing Interface Colors
- Customizing Bins
Customizing The Timeline
- Customizing Track and Clip Color
- Displaying Clip Data
- Modifying Track Name and Order
- Creating and Recalling Timeline Views
Mapping Functions to Buttons, Keyboard and Mouse
- Creating Custom Keyboards
- Customizing Interface Buttons
- Customizing Mouse Buttons
Customizing Workspaces and Bin Layouts
- Creating Workspaces
- Creating Bin Layouts
- Linking Settings