Final Cut Express 4 - iTunes/iPad Edition
Express Yourself
Final Cut Express 4 occupies the middle ground between iMovie and Final Cut Pro. Offering professional editing features, support for high definition video and real time effects playback, Final Cut Express is the perfect editorial solution for budget-minded filmmakers and digital content creators.
Final Cut Pro 4: Express Yourself is presented in 15 individual lessons with a running time of just over 5 hours. The tutorial also includes project files for following along in Final Cut Express 4. Each lesson focuses on building fundamental editorial skills such as logging your media, organizing your footage, trimming, audio mixing, creating titles and motion effects, color correcting and more!
Experience our Training on the iPad
The iPad is revolutionizing the way people access and interact with media. Video training is therefore a natural fit for people who want their training on the go or on a separate device from their main system. Because of the limited storage capacities of the iPad, we have labored to keep the movie sizes as small as possible while maintaining our high standards of image and sound quality. And perhaps best of all, you don't need to be connected to the internet to watch our tutorials on your iPad.

Available Now in iTunes
We realize you may have a question or two, so we created a short FAQ (Frequently Asked Questions) page to answer them.
Who is this Tutorial for?
Final Cut Express 4: Express Yourself starts from the beginning and assumes no prior knowledge of Final Cut Express 4 or Mac-based video editing. Our tutorial walks you through the complete editorial workflow, from initial media logging to final output. Along the way you'll learn techniques to make you more productive using Final Cut Express' arsenal of editing and compositing tools. Each step in the editing workflow is presented in easy-to-follow learning modules that include chapter markers you can use to navigate to the section you want to watch. It's the next best thing to having Steve beside you.
Bonus Tutorial - Creating Motion Graphics in LiveType

Final Cut Express 4 comes with a stand-alone titling application called LiveType. LiveType is used to create animated titles, lower thirds, DVD menus, show opens and other motion graphics content. To help you get up to speed in LiveType, we're including 10 bonus lessons called "Creating Motion Graphics in LiveType. To read more about what's in the included LiveType tutorials click here
Go Tape or Tapeless
Whether you are shooting on video tape, hard drive or flash memory cards, we've included 2 comprehensive lessons on the how to bring your media into Final Cut Express 4.

Edit like a Pro
Learn how to take advantage of Final Cut Express' powerful editing tools such as the Ripple tool (pictured here) to make fast adjustments to your edit points.

Color Correct Your Footage
Learn how to dramatically improve your footage using Final Cut Express 4's Color Correction Filter. We also show you some amazing time-saving tips for working with Filters.

Create Eye-Catching Titles
Final Cut Express 4 has an incredible array of titling tools. In Lesson 13 you will work with Final Cut Express' text generators, the Boris 3D Generaotor and a layered Photoshop document to create a network ID or "bug".

Apply Motion Effects
In lesson 14, you'll dive into Final Cut Express' Motion tab to create split-screens, piture-in-picture effects and learn how to animate photos using keyframes.

Sweeten Your Audio
Anything you do to your soundtracks to enhance them is called "sweetening". In lesson 10, you'll learn how to properly read the digital meters, when to link and unlink audio and video, and how to mix your audio using keyboard shortcuts.

Table of Contents
Getting Started
- Working with the Mac OS
- Choosing a Setup
- QuickTour of the Interface
- Window Arragements
- Using the Modifier Keys
- Understanding Projects
- Importing Media
- Clips vs. Media Files
- User Preferences
- Optimizing System Preferences
Capturing From Tape Based Media
- Understanding Video Formats
- SD, HD, Interlaced and Progressive Video
- Firewire & USB
- Preparing Final Cut Pro for Tape Capture
- Choosing an Easy Setup
- Setting a Scratch Disk
- Determining Storage Requirements
- Anatomy of the Log & Capture Window
- Logging Clip Information
- Capturing Clips
- Capturing on the Fly
- Capturing HDV footage
Transferring From Memory Based Media
- Overview of File Based Workflow
- Mounting Media Devices
- Backing Up Your Media
- Exploring the Log & Transfer Window
- Viewing Clips in the Browse Area
- Adding Clips to the Transfer Queue
- Logging Clips
- Choosing a Logging Bin
Working in the Browser
- Working with Column Data
- Viewing & Changing Clip Thumbnails
- Sorting Column Data
- Working with Clips in Icon View
- Getting Item Properties
- Organizing Your Project with Bins
- Better Bin Organization
Marking Clips in the Viewer
- Opening Clips in the Viewer
- Navigating Through a Clip
- JKL Navigation
- Marking Clips
- Using the Transport Buttons
- Clips with One or No Markers
- Marking Clips on the Fly
- Working in the Audio Tab
- Creating Subclips From an Interview
- Marking by Timecode
Building a Sequence
- Understanding Sequences
- Introduction to the Patch Panel
- Adding Clips to a Sequence
- Making an Insert Edit
- Making an Overwrite Edit
- Patching to Control Track Placement
- Making 3-Point Edits
- Performing a Back-Timed Edit
- Drag & Drop Editing
- Drag & Drop Snap Edits
Working in the Timeline
- Duplicating Your Sequences
- Navigating the Timeline
- Selecting Clips
- Cut, Copy & Paste
- Moving Clips
- Removing Clips
- Removing Gaps
- Removing Unwanted Video (Blade Tool)
- Lift and Ripple Delete Edits
- Removing Unwanted Video (Add Edit)
- Segment Editing
- Replace Editing
- Copying Content Between Sequences
- Locating Clips (Match Frame & Reveal Master Clip
Using the Trimming Tools
- Trimming with the Selection Tool
- Trimming with the Ripple Tool
- Using Play Around Current
- Numeric Ripple Edits
- Rippling Two Edit Points
- Trimming with the Roll Tool
- Creating a Split Edit
- Trimming with the Slip Tool
- Trimming with the Slide Tool
- Playing Back Your Rough Cut
Working with Markers
- Adding Sequence Markers
- Using Markers to Spot Sound Effects
- Adding Extended Markers
- Navigating to Markers
- Deleting and Moving Markers
- Adding Clip Markers & Aligning to Sequence Markers
- Marking to the Beat of the Music
- Ripple Sequence Markers
- 3-Point Editing to Music
Working with Audio
- Linking & Unlinking
- Soft Linking vs. Hard Linking
- Working with Stereo Paired Tracks
- Adding Music
- Understanding the Signal Path
- Reading the Audio Meters
- Isolating Tracks
- Controlling Track Volume Levels
- Ducking the Audio
- Adjusting Audio Using the Keyboard
- Using the Voice Over Tool
Adding Transitions
- Adding Audio Transitions
- Adding Video Transitions
- Adding the Default Transition
- Replacing Transitions
- Adding Multiple Transitions
- Editing Transitions
- Rolling an Edit with a Transition
- Transition Editing Options
- Rendering & Real Time Effects
- Unlimited RT vs. Safe RT
- Rendering Options
Creating Titles
- Importing Files
- Adding an Animated Background
- Working with Text Generators
- Consolidating Video Tracks
- Superimposing Text
- Editing the Text Generator
- Splitting Text Generators
- Maximizing Text Quality
- Animating Text
- Using the Boris Generator
- Saving & Recalling Text Styles
- Animating Opacity
- Working with Photoshop Files
- Adding a Network ID "Bug
Applying Filters
- Applying Filters
- Creating "Looks" for Your Video
- Copying & Pasting Filters
- Keyframing Filters
- Working with Multiple Filters
- Saving and Reusing Filters
- Color Correcting Your Shots
- Improving Contrast
- Copying Color Correction Settings
- Improving Color Balance
- Taking Color Correction to the Next Level
Creating Motion Effects
- Creating a Picture in Picture Effect
- Animating Motion Properties
- Copying and Pasting Attributes
- Creating a Split-Screen Effect
- Animating Photos
- Creating Speed Changes
- Applying Speed Changes to Multiple Clips
- Variable Speed Effects
- Creating Freeze Frames
Outputting Your Movie
- Preparring Your Sequence for Output
- Making Your Videos Broadcast Legag
- Using the Broadcast Safe Filter
- Spotting Audio Peaks
- Adjusting the Master Mix
- Nesting Sequences
- Printing to Tape
- Exporting Using QuickTime Conversion
- Exporting QuickTime Movies
Minimu System Requirements for Viewing Tutorials
- Mac Computer with 1.25 GHz or faster G5, Intel Core Duo or Intel Xeon processor
- MacOS 10.4.11 or Mac OS 10.5.5 or later
- 8x or faster DVD ROM drive
- 1 GB or more of RAM
- iTunes 8 or later
- QuickTime 7.5 or later
- Monitor Depth - Millions
- 1280 x 800 screen size or better
Minimum System Requirements for Following Along in Final Cut Express 4
- Mac Computer with Intel Core Duo or Intel Xeon processor
- Mac OS Mac OS 10.5.6 or later
- 8x or faster DVD ROM drive
- 1 GB or more of RAM (2GB - 4GB Recommended)
- iTunes 8 or later
- QuickTime 7.6 or later
- Monitor Depth - Millions
- 1280 x 800 screen size or better