Final Cut Pro, Final Cut Pro HD, DVD Studio Pro, LiveType, Sound Track, Logic Pro Platinum, Shake and Final Cut Express
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Final Cut Pro, Final Cut Pro HD, DVD Studio Pro, LiveType, Sound Track, Logic Pro Platinum, Shake and Final Cut Express
   

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Final Cut Pro

Media Managing Multiclips -NEW!
by Steve Martin
Learn how to media manage the multiclips contained in your multicam sequences.
 
Editing 24P in Final Cut Pro - NEW!
by Noah Kadner
In this quicktip filmmaker and author Noah Kadner will show you how to set up Final Cut Pro for editing in 24P
 
VO Tool Slipping - NEW!
by Steve Martin
In this QuickTip, you will learn a time-saving technique for keeping your narrations or voice overs on the same track while maintaining a consistent voice over duration.
 
Modify Clip Settings - NEW!
by Steve Martini
Learn how to change your clip settings after you've already logged and captured your media. This is huge time-saver folks!
 
Playing Telephone with Final Cut Pro's Band Pass Filter - NEW!
by Steve Martin
In this Quicktip, we will look at how to achieve an audio effect where it sounds as if someone is talking through a phone or through a tiny speaker
 
Solving Multicam Sync Problems in Final Cut Pro 5 - NEW!
by Steve Martiin
In this Quicktip, we will look at how to solve a common occurance on multicamera shoots where one of the cameras was started a bit later than the other cameras.
 
Using Print to Video in Final Cut Pro - NEW!
by Zachary MacDonald
Learn the ins and outs of using the Print to Video option in Final Cut Pro
 
Real-Time Video Scopes in Final Cut Pro
by Andrew Balis
In this amazing QuickTip, Andrew will show you how to make your video scopes play in real-time!
 
Creating a Static Work Area
by Andrew Balis
Never lose sight of your video and audio tracks again using Final Cut Pro's static region.
 
Autosave Essentials in Final Cut Pro Part 1
by Estelle MacDonald & Steve Martin
Learn how the Autosave Vault can really save your butt.
 
Autosave Essentials in Final Cut Pro Part 2
by Estelle MacDonald
Learn how to restore your autosaved files from the Autosave Vault.
 
Storyboard Editing in the Browser
by Andrew Balis
Learn how to create a storyboard edit by arranging the thumbnail icons in your browser.
 
Creating Scrolling Titles in Final Cut Pro
by Estelle MacDonald
Learn how to quickly create a scrolling text "gutter" in Final Cut Pro
 
Preserving Photoshop Layer Styles
by Steve Martin
Preserve your bevels, shadow, glows and other Photoshop layer styles when you import your graphics into Final Cut Pro.
 
Finding Unused Clips in Final Cut Pro
by Lisa Brenneis
Final Cut Pro’s Find command can help you do much more than search for misplaced clips
 
Customizing and Saving Track Layouts in Final Cut Pro
by Estelle MacDonald
Create, Save, and recall different track layouts to match your workflow.
 
Using the Timeline Find Feature
by Andrew Balis
Discover the Timeline Find feature to be an indispensable timesaver when doing color correction.
 
Working Between Two Sequences
by Andrew Balis
As you will see in this Quicktip, there are many benefits to viewing your sequences side by side.
 
Creating a Subtitle Template in Final Cut Pro
by Andrew Balis
Need subtitles? Learn how to create and save them as templates you can apply to any sequence.
 
Reclaim Your Powerbook Function Keys
by Estelle MacDonald
Learn how to "flip" the F Keys on your Powerbook to function in your favorite Pro App without pressing extra keys.
 
Adding Accents and Other Symbols in Final Cut Pro
by Andrew Balis
Use the OS X Character Palette to add accents, symbols, and a host of other images to your Final Cut Pro titles.
 
Graphic Duration Shortcuts
by Andrew Balis
This Quicktip will show you how to get around the duration limits of any graphic you've placed in the timeline.
 
Creating Soft Edges in Final Cut Pro
by Andrew Balis
This technique can help create soft edges of the frame, or can sometimes substitute for a shallow focus effect.
 
Browser Shortcuts in Final Cut Pro
by Andrew Balis
Streamline your efficiency, minimize the stress on your hand. Here's a few tips for getting around the Browser with more ease than a mouse.
 
Alpha Travel Mattes - Video Inside Text
by Estelle MacDonald
Place video inside your text using an alpha travel matte.
 
Render Management in Final Cut Pro Part 1
by Estelle MacDonald
Do some render file housekeeping in the Mac Finder
 
Render Management in Final Cut Pro Part 2
by Estelle MacDonald
Do some render file housekeeping in Final Cut Pro
 
Control-V to the Beat
by Estelle MacDonald
Use the Add Edit Command on a Slug to add beat edits to your timeline
 
Adding Texture Using a Noise Generator
by Estelle MacDonald
Add some "film-like" texture to your clips using a noise generator
 
Auto-Select Edit Options in Final Cut Pro
by Steve Martin
The auto-select buttons are a great new feature in Final Cut Pro 4. Learn how to take advantage of them in this 4-step powertip.
 
Batch Convert CD Audio in Final Cut Pro
by Estelle MacDonald
Batch convert your CD Tracks to 48K without ever touching the dock.
 
Creating a Custom Preset in Compressor
by Steve Martin
Compressor offers a variety of MPEG 2 and MPEG 4 presets you can apply to your imported movies. The quickest way to apply a preset is to click the preset pull-down menu button in the batch window.
 
Final Cut Pro and iPhoto Tip
by Steve Martin
iPhoto allows you to set an option for opening your pictures directly into Final Cut Pro or Express. This powertip shows you how.
 
Power Transitions in Final Cut Pro
by Estelle MacDonald
Add multiple transitions to your timeline in one fell swoop.
 
Using Composite Modes in Final Cut Pro
by Estelle MacDonald
Sometimes a clip is lacking depth. The quickest solution is to give it a ‘pick-me-up’ with a Composite Mode.