| by Steve Martin |
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Learn how to media manage the multiclips contained in your multicam sequences. |
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| by Noah Kadner |
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In this quicktip filmmaker and author Noah Kadner will show you how to set up Final Cut Pro for editing in 24P |
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| by Steve Martin |
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In this QuickTip, you will learn a time-saving technique for keeping your narrations or voice overs on the same track while maintaining a consistent voice over duration. |
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| by Steve Martini |
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Learn how to change your clip settings after you've already logged and captured your media. This is huge time-saver folks! |
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| by Steve Martin |
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In this Quicktip, we will look at how to achieve an audio effect where it sounds as if someone is talking through a phone or through a tiny speaker |
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| by Steve Martiin |
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In this Quicktip, we will look at how to solve a common occurance on multicamera shoots where one of the cameras was started a bit later than the other cameras. |
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| by Zachary MacDonald |
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Learn the ins and outs of using the Print to Video option in Final Cut Pro |
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| by Andrew Balis |
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In this amazing QuickTip, Andrew will show you how to make your video scopes play in real-time! |
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| by Andrew Balis |
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Never lose sight of your video and audio tracks again using Final Cut Pro's static region. |
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| by Estelle MacDonald & Steve Martin |
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Learn how the Autosave Vault can really save your butt. |
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| by Estelle MacDonald |
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Learn how to restore your autosaved files from the Autosave Vault. |
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| by Andrew Balis |
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Learn how to create a storyboard edit by arranging the thumbnail icons in your browser. |
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| by Estelle MacDonald |
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Learn how to quickly create a scrolling text "gutter" in Final Cut Pro |
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| by Steve Martin |
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Preserve your bevels, shadow, glows and other Photoshop layer styles when you import your graphics into Final Cut Pro. |
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| by Lisa Brenneis |
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Final Cut Pro’s Find command can help you do much more than search for misplaced clips |
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| by Estelle MacDonald |
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Create, Save, and recall different track layouts to match your workflow. |
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| by Andrew Balis |
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Discover the Timeline Find feature to be an indispensable timesaver when doing color correction. |
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| by Andrew Balis |
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As you will see in this Quicktip, there are many benefits to viewing your sequences side by side. |
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| by Andrew Balis |
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Need subtitles? Learn how to create and save them as templates you can apply to any sequence. |
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| by Estelle MacDonald |
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Learn how to "flip" the F Keys on your Powerbook to function in your favorite Pro App without pressing extra keys. |
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| by Andrew Balis |
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Use the OS X Character Palette to add accents, symbols, and a host of other images to your Final Cut Pro titles. |
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| by Andrew Balis |
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This Quicktip will show you how to get around the duration limits of any graphic you've placed in the timeline. |
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| by Andrew Balis |
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This technique can help create soft edges of the frame, or can sometimes substitute for a shallow focus effect. |
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| by Andrew Balis |
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Streamline your efficiency, minimize the stress on your hand. Here's a few tips for getting around the Browser with more ease than a mouse. |
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| by Estelle MacDonald |
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Place video inside your text using an alpha travel matte. |
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| by Estelle MacDonald |
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Do some render file housekeeping in the Mac Finder |
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| by Estelle MacDonald |
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Do some render file housekeeping in Final Cut Pro |
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| by Estelle MacDonald |
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Use the Add Edit Command on a Slug to add beat edits to your timeline |
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| by Estelle MacDonald |
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Add some "film-like" texture to your clips using a noise generator |
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| by Steve Martin |
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The auto-select buttons are a great new feature in Final Cut Pro 4. Learn how to take advantage of them in this 4-step powertip.
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| by Estelle MacDonald |
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Batch convert your CD Tracks to 48K without ever touching the dock. |
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| by Steve Martin |
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Compressor offers a variety of MPEG 2 and MPEG 4 presets you can apply to your imported movies. The quickest way to apply a preset is to click the preset pull-down menu button in the batch window.
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| by Steve Martin |
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iPhoto allows you to set an option for opening your pictures directly into Final Cut Pro or Express. This powertip shows you how.
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| by Estelle MacDonald |
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Add multiple transitions to your timeline in one fell swoop. |
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| by Estelle MacDonald |
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Sometimes a clip is lacking depth. The quickest solution is to give it a ‘pick-me-up’ with a Composite Mode. |
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