Color Correction in Final Cut Pro 10.2


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  • Learn the Basics of Color Theory
  • Correct Exposure Problems
  • Manually Color Balance
  • Perform Secondary Corrections
  • Use Color Masks
  • Create Unique Looks

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Understanding Color Theory

Learning how an additive color system works will help you when making color correction decisions in Final Cut Pro X.

Creating a Day for Night Look

Color grading takes your creativity further by altering and enhancing color to evoke atmosphere, tone, and mood.

Neutralize Color Casts

Using Final Cut Pro X’s color board and video scopes, you can precisely dial in the color so your subjects appear natural to the human eye.

Creating a Grad Filter Effect

Learn how to use Final Cut Pro X’s mask tools to isolate your color corrections to specific parts of the frame and focus your viewer’s attention where it needs to be.

About the Author:

Mark Spencer
Mark Spencer is a bay-area based producer, editor, teacher and writer. Mark is also an Apple-certified instructor for Final Cut Pro X and Motion 5 and the author or coauthor of 5 books on Motion, including the Apple Pro Training Series Motion 5, all from Peachpit Press.
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