I´ve just recieved and watched the FCP advanced techniques and color correction DVDs. And man it´s good! Excellently produced and the topics are exactly what I need to quickly move from another editing system to FCP.
FREE E-NEWSLETTER
In this month's Ripple Report, learn some cool LiveType and SoundTrack
secrets as well as how to export your movies to Compressor.
Signup here
Sound Editing & Mastering in Soundtrack Pro - DVD Promo
Motion 3D Deep Dive
Get Control Over Your Soundtracks
Sound Editing and Mastering is a comprehensive and immersive tutorial covering all aspects of audio post production using Apple's Soundtrack Pro 2. Whether you're an editor working in Final Cut Pro needing to perform audio sweetening, or a dedicated sound mixer with experience using other audio workstations, this tutorial presents a complete picture on how to edit, process, mix and ultimately master your soundtracks for any delivery medium.
In this tutorial you will learn more than just the application. You'll learn how Soundtrack Pro fundamentally deals with audio which will help you determine which Soundtrack Pro project type is best suited for your workflow. You'll learn how to improve your dialogue tracks, work with effects and music, and repair audio problems encountered during the shoot. You'll learn how to record voice overs and Foley effects to picture as well as how to mix and master in both stereo and 5.1 surround. The running time on this tutorial is just under 5 hours and includes all the necessary projects and media files for following along in your own copy of Soundtrack Pro.
Pre-Order this DVD-ROM for $99.00 (Reg. $119.00)
Ships on July 25
iTunes Edition coming soon
Get Sound Advice
For many video editors, working with sound can be intimidating. And with budgets and deadlines so tight, many picture editors do not have the luxury of hiring a dedicated sound editor and therefore have no recourse but to try hacking their soundtracks into something acceptable - or at the very least, useable. We make no claim that we can turn you into Walter Murch in 5 hours. However, we do claim to give you the basic tools and knowledge you need to help you approach the most common audio problems while dramatically improving the quality of your finished soundtracks.
As with all our tutorials, the focus of this training is project-based and not tool-based. We don't waste your time with needless explanations of software features that you will never use. The idea behind this tutorial is to give you real-world advice based around common real-world problems and solutions. And in the process, make you feel as at home working in Soundtrack Pro as you do working in Final Cut Pro. The tutorial is broken into 12 lessons grouped around common audio post production tasks. So you can see the scope of what's covered, we've included 10 excerpts from the lessons.
Sound editors more than anything else, are tasked with making the spoken word more intelligible while preventing it from getting lost in the mix. You'll work with filters such as Reduce Noise and Multiband EQs to remove hiss and rumble. You'll learn how to control an audio clips's dynamic range using Compressors. Also helpful is learning how to isolate specific frequencies and knock them out using the Frequency Selection Tool.
Design Your Sound
In Lesson 8, you'll work with the various tools Soundtrack Pro provides for editing sound effects. You'll learn how to manage your effects in the Bin, use the Multipoint Video HUD to spot your effects, and learn how to set up, record, and edit Foley effects.
Find Your Voice
For many sound editors, voice overs are the bread and butter of their work. In lesson 9 you'll learn how to do Multitake Recordings then quickly edit them using the Multitake Editor.
Make a Score
In Lesson 7 you'll work with Soundtrack Pro's sizeable music library as well as learn some music arranging principles to keep your songs from sounding "loopy".
Mix in Stereo & 5.1 Surround
Mixing is the balancing of all the various track elements such as dialogue, music and effects. Mixing also involves placing sounds in their appropriate aural spaces to create perspective and enhance realism. In the lesson on mixing, you'll learn the value of proper speaker monitoring and placement, how to work with the Mixer, manage and control your mix using Submixes and Busses, and how to output both a stereo and 5.1 mix.
Be a Conformist
In a traditional post workflow, editorial tasks are often split between a dedicated picture editor and a sound editor. Any changes introduced into the process can be potentially time consuming and costly. Fortunately, Soundtrack Pro has a feature called Conform, that makes this process more efficient and less prone to errors. In lesson 10, you'll learn how to use the ConformTool to reconcile changes sent from the picture editor with your ongoing work in Soundtrack Pro.
Master the Possibilities
Mastering is the final stage in the process of creating your soundtracks. It involves outputting your final mix for your intended delivery format while ensuring all the audio is at the proper levels. In lesson 12 you'll learn how to read the digital meters, and learn what third-party hardware options you have for outputting your multitrack projects. Since no editor works in a vacuum, you'll also learn how to share your Soundtrack Pro projects with sound editors using other digital audio workstations.
These are just a few of the subjects this tutorial addresses. But there is more. A lot more. Check out the Table of Contents to see just how much stuff we packed into this training.
Watch on Apple TV
In addtion to the QuickTime tutorial movies, we've formatted all the tutorials for playback Apple TV. This means you can sync our tutorials with iTunes, then sit back on your sofa, remote in hand, and watch the tutorials on your Hi-Def monitor connected over DVI. The picture quality is stunning.
Who is this Tutorial for?
This tutorial is designed for anyone who wants to improve their soundtracks. The workflows presented in this tutorial are centered around Final Cut Pro, but editors using other systems such as AVID, and Premiere Pro can also benefit. Also, the tutorial assumes no prior knowledge of working with a Digital Audio Workstations such as Logic, ProTools or Cubase.
What's on this DVD-ROM?
The entire tutorial comprises 12 lessons with a running time of aproximately 5 hours. Each lesson can be viewed
as a stand-alone module. However, because of the complex nature of this subject matter, we recommend watching each lesson in its entirety and in order. All lessons include chapter markers so you can go back and watch the sections you need to review. All the project files and media are included with this tutorial in case you want to follow along in your own copy of Soundtrack Pro 2.
About the Instuctor
Steve Marting is the founder of Ripple Training. He has been using and teaching Final Cut Pro since 1999. Steve is the creative force behind many of the Final Cut Studio QuickTours on Apple's site and he is a Lead Trainer on Final Cut Studio for Apple's Worldwide Training.
Table of Contents
Soundtrack Pro Fundamentals
Exploring the Interface
Customizing the Interface
Working with Multitrack Projects
The Video and Projects Tab
Navigating in the Timeline
Creating Cycle Regions
Working with Audio File Projects
Exploring Non-Destructive Editing
Working with Non-Native File Types
To Soundtrack Pro and Back
Sweetening & Finishing
Workflow Options
Sending an Audio File Project
Making Selections
Processing Your Audio
Replacing with Ambient Noise
Round Tripping
Application Switching
Updating Audio File Projects
Sending Multiple Audio File Projects
Working with Discreet Channels
Saving and Applying a Script
Sending to Scripts within Final Cut Pro
Sending a Multitrack Project
Adding Reference Markers
Exporting a Multitrack Project
Making Changes to Multitrack Projects
Multitrack Editing
Working with Tracks
The Tracks Tab
The Browser Tab
Moving Clips
The Multitrack Toolbar
Trimming Clips
Creating Cross Fades
The Fade Selector HUD
Creating Head and Tail Fades
Truncating Clips
Rolling Edits
Peak Detection
Working with Envelope Points
Timeslice Editing
Editing Audio Files
Editing in Place
Editing in the Waveform Editor
Saving Non-Native Sound Files
Applying a Process to Multiple Clips
Replace with Independent Audio File Project
Editing in the File Editor
Selecting Independent Channels
Copying and Pasting a Mix
Changing the Display Scale
Frequency Spectrum Editing
Understanding the Spectrum View
Using the Spectrum View HUD
Removing Unwanted Frequencies
Sample Editing
Audio Stretching
Making Zero Crossing Adjustments
Scrub Selecting
Processing Audio Files
Reducing Noise
What is EQ?
How Single Band EQs Work
Working with a high Pass Filter
The Anatomy of a Multiband EQ
How Shelving EQs Work
Reading a Spectrum Analyzer
Creating a Low Shelf EQ
Saving and Applying Presets
Lifting and Stamping
Understanding Dynamics
Compressing Music
Compressing Dialogue
The Anatomy of a Compressor
Putting it all Together
Action List Workflow
Comparing Actions
Flattening Actions
Normalizing Audio
Equalization Matching
Repairing Audio Files
Analyzing Audio
Removing Clicks and Pops
Repairing Phase Problems
Locating Silence
Analyzing Multiple Problems
Removing Power Line Hum
Identifying Clipped Signals
Fixing DC Offset
Editing Music
Managing Your Music and Effects Library
Sorting by Tags
Working with Looping Files
Wowrking with Non-Looping Files
Saving Favorites
Adding Content to Your Library
Arranging Music
Changing Tempo & Key
Making Your Songs Less Repetitive
Transposing Loops
Exporting Your Song
Editing Fixed Duration Music
Creating DVD Music Beds
Editing Sound Effects
Types of Effects
Housekeeping in the Bin
Locating & Removing Clips
Adding and Removing Unused Media from the Bin
Searching & Filtering the Bin
Working with Time & Beat Markers
Using the Multi-Point Video HUD
Shaping Your Sound Effects
Adding a Surround Compressor
Recording Foley Sound Effects
Using a Third-Party Input Device
Configuring the Recording Channels
Setting up for Multitake Recording
Recording Foley Effects
Editing Foley Effects
Editing Voice Over
Recording Single Takes
Punch In and Punch Out Recordings
Compensating for Latency
Recording Multiple Takes
Editing Multiple Takes
Adjusting Take Regions
Adjusting Transition Points
Working with a Guide Track
Adding More Takes
Creating the Composite Clip
Conforming
Working in Parallel
Sending the Revised Edit to Soundtrack Pro
Conforming Projects
The Conform Worklist
Viewing Clip Details
Analyzing the Data
Comparing Projects
Adjusting Clip Placement
Filtering, Sorting and Grouping Clips
Finishing
Mixing Multitrack Projects
Choosing Your Speakers
Placing Your Speakers
Surround Monitoring with Apogee's Ensemble
Arranging Your Tracks for the Mix
Exploring the Mixer
Working with Groups
Following the Signal Path
Working with Submixes
Outputting a Stereo & Surround Mix
Working with Sends & Busses
Adding a Space Designer Reverb
Altering the Effects Chain
Automating a Stereo Mix
Anatomy of the Surround Panning HUD
Automating a Surround Mix
Mastering Multitrack Projects
Reading the Digital Meters
Mixing to Mastering
Hardware Mastering Options
File Mastering Options
Exporting AAF Files
Exporting Multiple Mono Files
Exporting AC3 Files
Media Management
Reconnecting Media
Minumum System Requirements
MAC G5 1Ghz or better
MacOS X
A DVD ROM drive
1 GB or more of RAM
QuickTime 7.0 or above
Monitor Depth - Millions
1280 x 800 screen size or better
Please Note: The system requirment to both watch and follow along with this tutorial are quite steep and require a G5 processor. For optimal performance we recommend an Intel Core Duo processor and an approved graphics card with at least 256MB of RAM.
Why DVD-ROM not DVD-Video?
We deliberately chose NOT to deliver this training product using DVD video. There are a few reasons for this. The first is quality. DVD-Video is primarily an NTSC medium and as such, requires us to use scan converters and other analog trappings that result in a smaller frame size and a picture quality that looks noticeably soft when played on a computer. Second, with processor speeds now at super computing levels, software for capturing full motion (30fps) screen activity is now a reality. If you watch our tutorials, you will see crisp 1280x 800 widescreen movies delivered at full frame rates.