Final Cut Pro 10.3 gives you incredible control over the organization of your audio material. You can quickly create custom Roles or Subroles, then assign them to a clip or group of clips before or after importing them.
Component Level Audio Editing
Assigning custom Subroles will have huge time-saving ramifications when working on complex projects that have multiple audio channels that need to be managed, sweetened or mixed.
It’s All in the Mix
Need to deliver a master mix-down of your dialogue, music and effects? No problem. Just create a compound clip then apply effects and volume changes to the Role or Subrole components before exporting.
Wide Color Gamut Grading
Rec. 2020 color space is the new delivery standard. Final Cut Pro 10.3 let’s you edit, grade and master your projects in wide gamut 2020 then deliver Rec. 601/709 sub-masters from the same project.
This tutorial is for editors, producers and content creators who want to have a deep understanding of the new features, tools and workflows in Final Cut Pro 10.3. This is an intermediate to advanced tutorial and we recommend watching Final Cut Pro X Core Training before purchasing this tutorial.
Steve Martin is the creative force behind Ripple Training and has been using and teaching Final Cut Pro since 1999. Since Final Cut Pro's introduction, he has introduced thousands of people to Final Cut Pro through his classes, workshops and training products. He has consulted and/or trained for Apple, Adobe, Disney, Canon, Walmart and other companies. He is also a writer, producer and avid photographer.Full BioMark Spencer is a bay-area based producer, editor, teacher and writer. Mark is also an Apple-certified instructor for Final Cut Pro X and Motion 5 and the author or coauthor of 5 books on Motion, including the Apple Pro Training Series Motion 5, all from Peachpit Press.Full Bio