Working with ProRes RAW in Final Cut Pro
In this video, Mark covers how to configure both your camera and the Atomos Ninja V for recording ProRes RAW, then how to use those files in Final Cut Pro for the ultimate in image control.
Chapter Index Below:
1:06 – Disclaimers
3:18 – Required gear
5:46 – Setting up your camera
8:51 – Setting up the Ninja V
13:36 – Does ISO matter?
16:51 – No transcoding needed
17:46 – ProRes RAW file size
19:29 – Setting RAW to Log Conversion and Camera LUT
21:15 – Changing ISO
22:31 – Color temperature
23:26 – Adding HDR RAW clips to an SDR timeline
24:45 – Understanding Ninja 16:9 Cropping
26:08 – Grading RAW vs. XAVC
30:17 – 12-bit ProRes RAW vs. 10-bit XAVC
32:41 – ProRes RAW and noise
36:59 – Closing thoughts
The DP Journey – ProRes RAW Part 1
