Creating Hand-Drawn Graphics for FCP X
Do you like to doodle? Steve will show you how to create artwork in Abobe Sketch for iOS then import and use the graphic in Final Cut Pro X.
Adjusting Clip SpeedAlexis Van Hurkman2019-02-07T14:10:03+00:00
Adjusting Clip Speed
In this episode, Alexis Van Hurkman, demonstrates how to retime clips in DaVinci Resolve.
New Features in FairlightSpencer Meyer2019-01-04T20:33:06+00:00
New Features in Fairlight
In this episode Spencer explores some of the new features and improvements to the Fairlight page in DaVinci Resolve 15.2.
Batch Export from the FCP X TimelineSteve Martin2019-01-15T20:45:48+00:00
Batch Export from the FCP X Timeline
In this tutorial, Steve will show you how to batch export clips from Final Cut Pro X’s Timeline.
RT Adjustment Layer Free PluginMark Spencer2018-12-11T22:23:00+00:00
The Magic of Adjustment Layers
In this tutorial, Mark will show you how to create an Adjustment Layer in Motion, then use it in FCP X to apply color correction, effects, and transformations to multiple clips at once.
New Features of DVR 15.2Spencer Meyer2018-12-08T22:29:36+00:00
New Features on DaVinci Resolve 15.2
In this episode of Resolve in a Rush, Spencer showcases some of the new features in Resolve 15.2.
Comic Look Freeze FramesSteve Martin2018-12-04T22:09:49+00:00
Comic Look Freeze
In this tutorial Steve will show you how to create a graphic novel effect using Final Cut Pro 10.4.4’s Comic Look effect, a freeze frame and a few Compound Clips.
Working with Blackmagic RAWMark Spencer2018-12-08T23:30:34+00:00
Working with Blackmagic RAW
In this episode, Mark Spencer shows you how to incorporate Blackmagic Design’s new RAW format into your Resolve 15 workflow.
Color Grading Makeup EnhancementSteve Martin2018-10-31T11:32:22+00:00
Color Grading Makeup Enhancement
In this episode of MacBreak Studio, Steve shows you how to apply makeup enhancement effects using Final Cut Pro X’s Color Tools.
Keying LOG Footage in FCP XSteve Martin2018-10-31T11:32:07+00:00
Keying LOG Footage in FCP X
Should you be shooting LOG for your green-screen shoots? Steve answers that question in this video.